What is his relationship to be to his own voice, his own place, his literary heritage and the contemporary world? In its soundings of a wide range of poets -- Irish and British, American and Eastern European, predecessors and contemporaries -- Finders Keepers is, as its title indicates, "an announcement of both excitement and possession.
Hardcover , pages. Truman Capote Award for Literary Criticism To see what your friends thought of this book, please sign up. To ask other readers questions about Finders Keepers , please sign up. Lists with This Book. Jul 24, Duff rated it really liked it Shelves: Again and again, I felt that I was sitting in a room with a brilliant friend discussing poetry, poets and poetics. The wonderful thing is that I can go back and savor his wise thoughts again and again through this fine book of essays.
Many times I simply put the book down to think about, grasp and sometimes challenge his analyses.
Finders Keepers: Selected Prose 1971-2001
But, so often I was introduced to in a new way to poets, particularly contemporary Irish poets that I knew only in passing Heaney makes it Again and again, I felt that I was sitting in a room with a brilliant friend discussing poetry, poets and poetics. Heaney makes it clear why they are important, what is most interesting in their work and why the reader should make an effort to find their body of work. That is the kind of delightful reading experience I try to search out May 18, Chris Hall rated it it was amazing. This collection of essays from Seamus Heaney has taught me more about successful academic prose than any other single book, class, or instructor.
Heaney's "word hoard" makes him as successful and skilled a prose writer as he is a poet, and this is worth picking up and reading simply for the beauty of the language. And of course, this book is a must-have for anyone interested in Heaney's poetry, or poetry in general, for that matter.
Jan 05, Alfredo rated it it was amazing. A poet on poetry goes beyond poetry and takes you to human condition, a chapter that touches the irish divisive problematica and offers it a heart. A chapter on Eliot that beatifully throws out such a concept as "auditive imagination".
cutyrasohase.tk: Finders Keepers: Selected Prose eBook: Seamus Heaney: Kindle Store
Craft is the skill of making. If North suggested that Heaney's craft was now lagging behind his technique, Field Work had an altogether more unified voice, but one showing clear traces of the influence of Robert Lowell. In the lecture 'Lowell's Command' , Heaney writes that, for Lowell: Praising Lowell's last work, Heaney tells us that:.
Its tone is unemphatic yet it derives from a kind of wisdom which knows itself to be indispensable even as it takes itself for granted. I suggest that Lowell's command finally came to reside in this self-denial, this readiness not to commandeer the poetic event but to let his insights speak their own riddling truths. Heaney's characteristic way of thinking about writing is to talk about the poet's need to surrender to the poem, to let it carry the poet beyond himself.
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Lowell's manner proved too willed. Self-dramatisation falsified Heaney's 'stance towards life', and he reoriented himself by returning to his Irish origins.
Heart and craft
Sweeney Astray translates a medieval Irish work. In 'Earning a Rhyme' , Heaney describes setting out on this venture in He admits that Lowell's example as a translator turns out to be damaging. In , the year of Field Work, he started over, having Few poets have conveyed the feel of a poet's decision-making as accurately.
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This work was done, however, as the poems of Station Island also were being written. The last third of that book improvises around the figure of the mad Sweeney, changed into a bird, with a new wildness and excitement. The daring and bravura Heaney had now achieved suggest that the most important lecture he had given up to this point was 'Yeats as an example?
Heaney as critic both offers insight into the makings of others' verse and shows how his readings of others' poetry such as Clare's and Kavanagh's have informed the making of his own.
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More general pieces examine, for example, "The Irish Poet in Britain" and the place of poets in the classroom. Part three collects recent book reviews and short magazine pieces, among them Heaney's memorial to Joseph Brodsky and his famous division of Paul Muldoon's oeuvre into "muldoodles" and "mulboons.
Evocative, bedazzling and fruitful in its implications, Heaney's prose has become a necessary complement to his poetry. Shelved side-by-side with his Collected Poems , Heaney's tomes should sell well for years to come, with this book coming strongly off the blocks.