Systemtheorie - Methoden und Anwendungen für ein- und mehrdimensionale Systeme (German Edition)

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El capital desbocado Jean Baudrillard: Europa, la banlieue y el neoliberalismo Sabry Hafez: Avalancha en Bolivia Alvaro Garcia Linera: Crisis del estado y poder popular Julian Stallabrass: La igualdad en escena Tom Nairn: Las nuevas Furias Georgi Derluguian: Maquiavelos para postmodernos Justin Podur: El debate sobre Israel—Palestina Virginia Tilley: La historia inconcebible de Conrad Peter Wollen: Amor necesario Robert Wade: Asfixiar al Sur Susan Watkins: Francofobia liberal Kasian Tejapira: Derribar a Thaksin Robin Blackburn: Derecho y trabajo Susan Willis: El mundo se hizo carne Tony Wood: Celuloide y plasma Richard Gott: Estados del fracaso Gadi Algazi: Miedo y dinero en Dubai Franco Moretti: El fin del comienzo Retort: Sin novedad en el frente oriental Erik Olin Wright: Un realista radical Gregory Elliott: Imposturas parisinas Peter Thomas: Lula en el laberinto Peter Mair: Prisiones para desplazados Emilie Bickerton: Lavar la cara de Jackson JoAnn Wypijewski: Blues de los parados Achin Vanaik: Los contornos de la era de Putin Forrest Hylton: La guerra y la ciudad Henry Zhao: El cero absoluto Christopher Brooke: Sistema sanitario y esperanza de vida en China Kaushik Sunder Rajan: Valores experimentales Clive Hamilton: Construyendo sobre Kyoto George Monbiot: Historia antinatural Jane Bennett: Materia comestible Malcolm Bull: El socialismo y la imprenta: Richard Walker, Daniel Buck: A New Global Financial Architecture?

El nuevo orden en Asia oriental Robin Blackburn: Un plan de pensiones global Jesse Diaz, Javier Rodriguez: Indocumentados en Estados Unidos Andrew Plaks: Una obra maestra china Vivek Chibber: La quinta columna de Sarkozy David Simpson: La cultura europea en venta Perry Anderson: Apuntes sobre la coyuntura Gabriel Piterberg: Lecturas opuestas de la literatura mundial Poulod Borojerdi: Hacer sonar las rejas Dylan Riley: Schumpeter en tiempos poskeynesianos Michael Hardt: La violencia del capital Yongle Zhang: Dushu y la intelligentsia china Alain Badiou: El duopolio estadounidense John Frow: Pensar la novela Anders Stephanson: Sale Suharto Robin Blackburn: La crisis de las hipotecas subprime Shih-Diing Liu: Macao, colonia casino Alberto Toscano: Impunidad soberana Alexander Cockburn: Proyectos deshonestos Kees van der Pijl: Informe sobre la literatura francesa Lucio Magri: Banderas y velos turcos Brent Shaw: Balance africano Gopal Balakrishnan: Noticias de ninguna parte Daniel Miller: Esterilizar el ciberespacio Emir Sader: Contra la diversidad Norman Dombey: Entre los no creyentes Steve Smith: El derecho a la ciudad Andrei Platonov: El final del kirchnerismo Peter Hallward: Estratagemas sadristas Tom Hazeldine: Violencia, comercio, capitalismo Alexander Cockburn: Nixon, el gran divisor Susan Watkins: Cambio de curso en China Kheya Bag: Palabras que agitaron el mundo Henry Zhao: Culture and Society , entonces y ahora Luciana Castellina: La lente de la guerra Monique Selim: Notas desde Taskent Amit Chaudhuri: Sandblasting Marx David Woodruff: La carga del economista Ronald Fraser: Obama en Manassas Dylan Riley: Las sinuosas sendas del capital Nancy Fraser: El feminismo, el capitalismo y la astucia de la historia Geoff Mann: Colletti y el crack crediticio Robin Blackburn: El Estado de India Barry Schwabsky: Europas posibles Leo Panitch, Martijn Konings: Altibajos en la actualidad de Brecht Chin-tao Wu: La gran cuenca del Himalaya Miroslav Hroch: Marx y el montaje Peter Thomas: Los viajes italianos del Moro Tony Wood: Los rivales Gopal Balakrishnan: Especulaciones sobre el estado estacionario Jan Breman: Mitos de la red de seguridad global Tariq Ali: Muerte de un camarada: Peter Gowan James Buchan: Los caminos del mundo Jean-Paul Sartre: Diarios de guerra Terry Eagleton: Jameson y la forma Achin Vanaik: Asia malinterpretada Gabriel Piterberg: La eterna Junta de Myanmar Joachim Kalka: Sri Lanka, la tragedia de una isla Erik Olin Wright: Comprender la clase Tom Reifer: Giovanni Arrighi John Grahl: Sobre la malevolencia Susan Watkins: Arenas movedizas Mike Davis: Informes desde el Servicio de Urgencias Perry Anderson: Dos revoluciones Tariq Ali: La zona gris Eric Hobsbawm: Paisajes del trabajo Tony Wood: El futuro del pasado Malcolm Bull: Gabinete verde, cubo blanco Zeev Sternhell: En defensa del sionismo liberal Gabriel Piterberg: Colonos y sus Estados Rob Lucas: Crisis estructurales Peter Lawrence: Desarrollo por receta Paolo Flores d'Arcais: La democracia crucificada Susan Watkins: Parecidos de familia Kristin Surak: El negocio de la pertenencia Gavan McCormack: Obama vs Okinawa Adolfo Gilly: La nueva novela egipcia Mark Elvin: Conceptos de naturaleza Slavoj Zizek: La tierra de las ideas del islam Richard Walker: California a la deriva Gopal Balakrishnan: Incertidumbre en el enclave Michael Denning: La vida sin salario Asef Bayat: Tiempo de jugar Tariq Ali: Sobre las contradicciones de Mao Alberto Toscano: Las contraolimpiadas Benno Teschke: La senda del viejo topo Etienne Smith: La revuelta en Egipto Gopal Balakrishnan: Laboratorio continental Emilie Bickerton: De la primera tragedia socialista John Grahl: Un capitalista a contracorriente Chin-tao Wu: The Forgotten Space Benno Teschke: Sastres para el emperador Robin Blackburn: Reclaiming Human Rights Peter Osborne: Leaving Shabazz Malcolm Bull: Estrategias subcontinentales Thomas Michl: Plata y Plomo Alexander Zevin: Arte de vestigios industriales Perry Anderson: Los Relojes de Dresde Steven Lukes: La primavera encara el invierno Stathis Kouvelakis: El crisol griego Robin Blackburn: Lucio Magri Pascale Casanova: Literaturas combativas Susan Watkins: Peter Campbell Ho-fung Hung: Bajo la mirada oriental Alan Cafruny, Timothy Lehmann: A posteriori Wolfgang Streeck: Mercados y pueblos Pierre Brocheux: Reflexiones sobre Vietnam Julian Stallabrass: La industria de Hockney Ismail Xavier: Maneras de escuchar en un medio visual Mario Tronti: Nuestro operaismo Hazem Kandil: El colapso como crisol Nancy Fraser: Sobre la justicia T.

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Poder en los fotogramas Julian Stallabrass: Guerrilleros digitales Robert Paxton: Las sendas hacia el fascismo Jacob Collins: Taumaturgo famoso Susan Watkins: Ronald Fraser Ronald Fraser: El hundimiento de Marsella Roberto Schwarz: La empresa familiar Gregory Elliott: Parti Pris Paul Buhle: Los campos de California en llamas Wolfgang Streeck: Los ciudadanos como clientes Jan Breman: Las infraciudades de Karachi Robin Blackburn: Alexander Cockburn Alexander Cockburn: Los herederos de Bernstein Emilie Bickerton: Imperios de papel Richard Duncan: Eric Hobsbawm, — Rob Lucas: El orden reina en La Haya Rafael Correa: Las culturas del Imperio: Grecia y Roma Julian Stallabrass: Camuflaje radical Augusta Conchiglia: Los espigadores Bryan Palmer: El Ajuste de cuentas Mario Sergio Conti: Las lecciones de historia de Rossellini Jennifer Pitts: A la sombra de la bandera Jan Breman: Vida y muerte en Annawadi Mike Davis: La puesta de sol Kevin Gray: Homo legens Adam Tooze: Imperios en guerra Robin Blackburn: Finanzas para anarquistas Gregor McLennan: Entre el pasado y el futuro Peter Nolan: Triple movimiento Francis Mulhern: China se estanca Marco D'Eramo: Cuadernos Mexicanos Kirill Medvedev: Prototipo Boulevard Alain Supiot: Grandeza y miseria del estado social Wang Bing: Filmar una tierra que fluye Tony Wood: Los tipos duros Esther Leslie: Proyecciones del imperio Lena Lavinas: El sionismo europeo y sus descontentos Ousmane Sidibe: Los planes de Dostoyevski Jan Breman: Un concepto espurio Emilie Bickerton: Planeta Malaquais Tom Mertes: Impartiendo justicia global Teri Reynolds: Comunicados desde Dar Thomas Piketty: Participativo pasado William Davies: Enigmas del libro Nancy Fraser: Tras la morada oculta de Marx Robin Blackburn: Stuart Hall, — Peter Dews: Sistemas, valores, igualitarismo Kenta Tsuda: Libertad, justicia y capitalismo G.

Un retorno a los fundamentos del socialismo Volodymyr Ishchenko: Las fracturas de Ucrania Wolfgang Streeck: Imposturas africanas Sean Starrs: Orwell forever Robin Blackburn: Cuba inesperada Marco D'Eramo: Mosaicos del nacionalismo estadounidense Jean-Paul Sartre: Marxismo y subjetividad Fredric Jameson: La actualidad de Sartre Ho-fung Hung: La linde escocesa Ching Kwan Lee: El espectro de una China global Timothy Brennan: Apuestas subalternas Nancy Ettlinger: Una hoguera del arte Joshua Rahtz: Las reinvenciones del Laissez-Faire Alex Niven: El camino a Briggflatts Susan Watkins: Proyecto Jacobin Daniel Finn: El deber Gopal Balakrishnan: Marx, el abolicionista I Vivek Chibber: Vanguardia Imperial Barry Schwabsky: La Pesadilla de Goethe Jeffery Webber: Rebelde Amanecer Mike Davis: Una fiesta de rezagados Joshua Wong: Escolarismo en marcha Franco Moretti, Dominique Pestre: Jerga bancaria Fredric Jameson: Entender Podemos Pablo Iglesias: Solo en casa R.

Tzara aproximativo Volodymyr Ishchenko: Rusia inconmensurable Jan Breman: Un investigador sin trabas Marco D'Eramo: El declive de la decandencia Rob Lucas: El apagavelas David Simpson: Construir el sujeto liberal Rachel Malik: Representaciones figurativas Wolfgang Streeck: Georgi Derluguian, Zhanna Andreasyan: Guerras del agua en Irlanda Paik Nak-chung: El doble proyecto de la modernidad Fredric Jameson: Una relectura Vida y destino Claudio Magris: Just remember this Tony Wood: Las vidas de Dzhugashvili Robin Blackburn: Oro blanco, trabajadores negros Perry Anderson: El seminario frente a los massive open online courses Marco D'Eramo: La pervivencia de la Comuna Jeffery Webber: Enigmas Rojos y Amarillos Mike Davis: El desierto que viene Stathis Kouvelakis: The text used here comes from the second edition of "Paradise Lost," printed in , and the first edition of "Paradise Regain'd," printed in This is a noble edition of Milton with appropriately dark and brooding illustrations and very large, stately type printed on leaves with vast margins.

Demetrios Galanis was a French illustrator, printmaker, and designer of Greek birth. Galanis earned a number of important commissions as illustrator for private press books in France and elsewhere during the s and s. Pirages Fine Books and Mediev ]. Vindel - A handsome volume. Limited edition of Bound in publisher's red cloth. Minor shelf wear to top edge. Good binding and cover.

This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. Translated from the French by Alvah C. With a Foreword by James Huneker. Illustrated by Jeanette Seelhoff. Original dark blue cloth-backed marbled paper boards, titles to spine gilt, illustrated endpapers.

With the dust jacket. Black and white frontispiece and 8 other plates. Spine and edges of boards very lightly faded, Top corners of boards slightly worn, some spotting to edges of text block. An excellent copy in a toned and chipped with a couple of small closed tears. First US edition, first printing.

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Originally published in France in under the title Le Jardin des Supplices. Uncommon in the dust jacket. A very solid copy of the 1st edition. Clean and VG with still-legible white lettering along the spine in a bright, price-intact, VG dustjacket, with very light wear to the spine ends and the slightest hint of staining at the crown. Internally immaculate, with no writing or markings of any kind. Thick octavo, a dozen Alexander King illustrations to the text plus magnificent King-designed endpapers.

Victor Gollancz Ltd, - Octavo. Original black cloth, spine lettered in gilt. Foxing to edges and endpapers; an excellent copy in the faded and slightly soiled jacket with some nicks and chips to extremities. First UK edition, first impression. Originally published in the US earlier the same year. Perhaps Fort's most popular work, this is his third published non-fiction book, in which he is widely credited as having coined the term teleportation. Today, the terms Fortean and Forteana are used to characterize such anomalous occurences, and the International Fortean Organisation and the Fortean Times remain devoted to the phenomena he studied.

The publisher's retained copy with a few minor annotations to the dust jacket and their stamp to the front panel of the dust jacket and the front pastedown. Scarce in the dust jacket. Contact us for any information! Librairie Le Feu Follet ]. The Curwen Press, Lovely travel booklet, issued by The London and Northeastern Railway and wonderfully illustrated in rich color and black-and-white by the great graphic artist Edward Bawden.

A clean, very well-preserved copy to boot: Crisp and Near Fine in its stapled orange wrappers, with just the slightest hint of age-toning along the spine. Octavo, beautifully designed and published out of London by Curwen Press. Two volume complete set, , paperbacks, large quartos, pp. El libro esta en muy buen estado. El lomo ha sido reforzado, pero esta entero. Ogni fascicolo conserva la cop. Nuovi Quaderni di Capestrano ]. Illustrated by Ernest H. Original green cloth, spine lettered in gilt, vignette to front board in gilt, map endpapers, top edge green.

Illustrations throughout by E. Faint ownership signature to front free endpaper. An exceptional copy in the slightly rubbed jacket with a little loss to spine ends and corners of front and rear panels. First illustrated edition, first impression in the scarce jacket.

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The book was first published without illustrations in The illustration on page 30 incorrectly has Rat at the oars it should be Mole , a mistake that was corrected in subsequent editions. William Heinemann Ltd,, Original red cloth, titles to spine gilt, star design to upper board blind stamped Spine slightly rolled and faded, boards a little rubbed and marked, bump to lower corner, some spotting to edges. A very good copy. First edition, first impression. Hill and Alfred Ebsworth Hill. With an Introduction Note by Edward J.

Original marbled wrappers, tips edged in gold paper, paper label to spine lettered in black, pale blue endpapers. Housed in a black solander box.

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Some creasing to wrappers, contents partly separated from spine but holding. Number 2 of 3 copies, printed and bound by the author. Presentation copy, inscribed by the author on the first blank "For Aldous Huxley" and on the limitation page "F. Number of 12 for presentation copies signed by illustrator N. All plates including frontispiece with intact tissue guards.

Vellum spine with blue boards. Slight wear to spine. Text block near fine.

ORMUS El oro de los dioses y La Inmortalidad

Signed by Author s. Galerie Joseph Fach GmbH ]. Spine tanned, else near fine in illustrated wrappers, possible original glassine. Number of press-numbered copies. With nine very interesting heliogravures, mostly modernist abstract. One dark cobblestone image is reminiscent of Brassai, though this book precedes Paris de Nuit.

Llegenda pirenaica del temps de la reconquesta. England won the match , Smith, Johnson and Crooks all scoring twice. Lightly rubbed but generally a good copy. Von Martin Erich Philipp. In Bleistift signiert "M. Philipp" unten rechts und betitelt unten links. Verso Reste einer alten Montierung. Martin Erich Philipp Zwickau? Deutscher Grafiker in Dresden. Bis und nach auf zahlreichen Grafikausstellungen vertreten.

Daneben entstanden zahlreiche Radierungen vorwiegend erotischen Genres aber auch Landschaften. Bound in publisher's pale blue cloth, with embossed titles to spine. Pictorial dustwrapper by V. Asta shows the House of Commons against a dark sky to front cover, titles to spine, and publisher's advertisements to rear cover; unclipped, originally priced 7s 6d. Binding shows well, with some bumping to corners and spine ends, textblock edges show some spotting.

Internally clean, with no signs of spotting; the sealed 'destruction' portion at the rear of the novel is opened, with the seal partially present, including insert of publisher's plea to readers to share recommendations of the book.

Dust wrapper has some small chips to corners and spine ends, one small area of loss to top edge of front cover, slight spotting to rear cover and tanning to spine. Set entirely within the House of Commons, and perhaps catering to a certain amount of wish-fulfillment on behalf of the British public, Hamilton's first detective novel draws on her own experience in the House as MP for Blackburn.

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The novel comes with a portion of the text sealed in blue paper, bearing the specific instruction "Do Not Break This Seal". Adrian Harrington Rare Books ]. Light soiling, some minor marginal wear, light folds and creases, else very good. The collection features a testy exchange between Wright and Mumford over the latter's assessment of Wright's work, published in The New Yorker over two issues toward the end of Mumford had written to Wright on November 23, to let him know that he had completed ""one of the most difficult tasks I have ever attempted: Thirty Years of Correspondence, , The first installment appeared in The New Yorker that week, and the second piece appeared two weeks later on December 12, Five days later, on November 29, Wright responded in a telegram to Mumford: He attempted an even handed assessment of Wright's work, and in doing so, raised the issue of the architect's stubbornness, especially when it came to accommodating his clients.

His first article opened with praise for his work and achievements, observing that by ""almost universal acclaim, Frank Lloyd Wright is the most original architect the United States has produced, and? Wright's dwelling houses sometimes put me off by persuading me that he is thinking not of the client's need but the architect's own desires and delights. Wright, fully aware of his own arrogance, has gaily defended it on the ground that arrogance is more decent than simulated humility.

Insults my clients and myself? So you talked to one [client]? From him you got a false impression Once you have gotten over the shock of this report - in which I have dealt with your own life and work in the same loving but unsparing fashion I did with my own son's - I trust that you will be comforted by my writing, as perhaps the highest critical accolade that you have yet received.

I wrote the second part of it two weeks ago, and finished revising the page proofs before your letter came; it will appear next week. Though it is in a sense an answer to your letter, it is an answer that anticipated it, by bringing out the essential differences between our respective philosophies of life.


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If the criticism of the second article strikes deeper and is even more painful, the praise, by the same token, rises higher. But on one matter I must set you right, if only to affirm Paul's unwavering loyalty to you. My judgment of your work has not been unduly affected by anything the Hanna's said to me, or by the fact that the Hanna house is the only house of yours I have lived in: What you say there is more unmistakable than any conversations, or even then your own well-considered works.