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Bartholomew s Church, Armley in Leeds.

Chorale Prelude and Fugue on 'O Traurigkeit, o Herzeleid', WoO 7 (Brahms, Johannes)

Bell draws together the virtuoso, lyrical, and contrapuntal elements of Brahms organ works, strongly influenced by J. Bach, and the startlingly similar qualities and influences in Schoenberg s major organ work. The relationship between these three towering figures in German music across three centuries will be a revelation!


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Prelude and Fugue in G minor, WoO 10 2. Eleven Chorale Preludes, Op. From their first meeting in May , Brahms and internationally famous violinist Joseph Joachim became the best of friends.


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  • Chorale Prelude and Fugue on 'O Traurigkeit, O Herzeleid'.
  • Choral prelude and fugue for organ ("O Traurigkeit, O Herzeleid"), WoO 7.
  • For several years the two collaborated on the study of composition, orchestration, and counterpoint, and Joachim's string quartet played through some of Brahms ' chamber music. Brahms wrote many of his counterpoint exercises at the organ, creating Baroque-style compositions based on hymn melodies.

    Of the four known works that appeared at this time, only two were published by Brahms during his life: The metric disparity is apparent in only a few spots, making it all the more effective. A continuous flow in the middle register creates a forward motion that stops, somewhat abruptly, on A major. Immediately returning to A minor, the Fugue subject is derived from the second, third and fourth notes of the "O Traurigkeit" tune and is used freely in each of its first three entrances in what is really a three-voice fugue, the pedal part of which never contains the subject.

    Choral Prelude and Fugue in A Minor ("O Traurigkeit, O Herzeleid"), Wo | Sheet Music Now

    Brahms ' abandonment of strict Baroque fugue practice is evident from the beginning as the second voice enters with an inversion of the subject, not the original form. AllMusic relies heavily on JavaScript.

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