What vantage can we gain on Irish literary history by asking these historical, theoretical and political questions? How do tradition and the canon look when we view them through a gendered lens? What kind of impersonations might we engage in when we read…and write? Genres considered include courtly love poetry, contemporary feminist verse, oral lament, modern love poetry, bardic verse, storytelling, early modern allegorical poetry, folk song, medieval allegory, and contemporary comic verse, all read in English. This survey course introduces students to a wide range of classic 20th- and 21st century-Irish texts; novels, short stories, plays, poetry and films.
We will analyze each text from a cultural, historical and theoretical perceptive and the overall course will familiarize students with the broad strokes of Irish culture and allow them to explore Irish literature in its broader context. This course will read diverse examples of the long and fertile comic tradition in Irish literature in Irish and in English , from medieval to modern, in order to enjoy a good laugh, get an alternative take on the Irish literary tradition, and think about the politics of humor.
No knowledge of Irish is assumed or necessary. We will look at how images of the West of Ireland were constructed in various utopian or romanticized formulations as well as examining more dystopian versions. This course will take an interdisciplinary approach, drawing on the visual arts and film as well as on literary texts in both Irish and English. Irish language texts will be read in translation.
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This course will examine the practice, practitioners and different genres of the verbal arts: It will also look at the research traditions devoted to the study of what has been variously termed folk narrative, oral literature, orature, as well as the verbal arts. The Modern movement in the arts transformed consciousness and artistic form just as the energies of modernity--scientific, technological, philosophical, political--transformed forever the nature, the speed, the sensation of human life.
This course examines this proposition as it pertains to a series of well-known and less well known literary texts. Among the key question in this course are the following: How do we think about the modern? How do we express the modern? Is modernism a question of theme, style or attitude?
No prior knowledge of Modernism required.
This course, taken in the spring semester of senior year, will focus on the writing and submission of the thesis. Final copies will be soft bound and submitted in triplicate to the department during the first week of April. The thesis should be between 35 — 40 pages in length.
The thesis will be read and graded by the advisor and one other faculty member. This course introduces students to the themes, motifs, approaches and various forms common to the Irish short story as well as the critical debates associated with the genre.
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We begin with a survey of the literary history and cultural politics of Ireland in the nineteenth and the emergence of the Irish short story and compare it to the American and French story, before considering the relationship between folklore and literature and the origins of the modern short story form. Among the authors we read in detail are: Stories are read primarily as literary texts that shed light on evolving cultural, political and social conditions and provide incisive insights into the Irish literary and cultural tradition.
This course is an ideal introduction to literary criticism and cultural studies. No prior knowledge of Irish or Ireland is required.
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All texts will be available in English. Tradition in this way was often ethnicized or nationalized as Volksgeist , with the corollary that modernity was seen as a mortal threat to ethnic or national specificity. Populist politics typically evoked the nation that would exist only for the traducement of its elites, hence representing the plebs as the real people as Ernesto Laclau argues.
In these terms the work of many writers and folklorists was implicitly or explicitly populist.
Gearrscéalta an Chéid
But ethnography too could be used to identify the obstacles to political unity and integration, both at the national and the imperial level. This indeed is a well-known part of the history of anthropology, but also of folklore studies. This course will look at the intersection of folklore, literature and nationalist and colonial politics in 18th, 19th and early 20th century cultural history, using critical works from anthropology, folklore studies, history, literary theory and sociology.
This course will use translations into English to chart the development of Irish Language Poetry in the 20th and early 21st century from rather meagre beginnings as an instrument of the language revival movement to become a fully fledged and highly sophisticated art form. Just like the characters within the renowned dime novels of the time, London's heroes show such manly virtues as braveness, loyalty, and steadfastness as they conftont the cruel frozen expanses of the north.
Tales of Soldiers and Civilians: Questing after Pancho Villa's innovative forces, Ambrose Bierce rode into Mexico in and was once by no means noticeable back.
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This new assortment gathers a few of Bierce's most interesting tales, together with the prestigious Civil struggle fictions 'An prevalence at Owl Creek Bridge' and 'Chickamauga', his macabre masterpieces, and his stories of supernatural horror. How to write a great review.
Beginning Irish I
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